The quintessential feel good movie of all time, It’s a Wonderful Life celebrates the ordinary man’s extraordinary life and the impact each of us has on those around us. It reminds us of what is important, that wealth comes not from what you own but what you give and that each man is truly rich if he has friends. For anyone who has ever questioned their own worth or the purpose of his life, Capra’s magical journey into what if, puts all doubts aside and captures the spirit of the holidays year around.
Winner of 9 Academy Awards® including Best Picture, Best Director and Best Actor -
Mohandas K. Gandhi, introduced the doctrine of nonviolent resistance to the colonized people of India. This was a radical idea and one difficult to follow, especially in the face of constant oppression, dehumanization and murder. Ultimately the Indian’s gained their independence. The philosophies of Gandhi carried into American Society supporting and galvanizing American Civil Rights Movement.
In today’s violent world encompassing the Occupied Territories of the Middle East, Chechnya and Africa, a man of Gandhi’s caliber is even more remarkable and increasingly needed. This film reminds us that it is not force that delivers freedom. It is perseverance, a respect for human dignity and quiet disobedience in the face of tyranny that becomes the deliver of the oppressed. Like all stories of good and evil, Gandhi reminds each viewer of the story that even in the face of excruciating oppression, holders of the truth with respect for their fellow man always in the end prevail. This is a great movie to watch when you become so frustrated with current affairs, hope for eventual peace seems an impossible dream. Gandhi will restore your faith.
Through the eyes of “Scout,” a feisty six-year-old tomboy, To Kill A Mockingbird carries us on an odyssey through the fires of prejudice and injustice in 1932 Alabama. Presenting her tale first as a sweetly lulling reminiscence of events from her childhood, the narrator draws us near with stories of daring neighborhood exploits by she, her brother “Jem,” and their friend “Dill.” Peopled with a cast of eccentrics, Maycomb (“a tired and sleepy town”) finds itself the venue of the trial of Tom Robinson, a young black man falsely accused of raping an ignorant white woman. Atticus Finch, Scout and Jem’s widowed father and a deeply principled man, is appointed to defend Tom for whom a guilty verdict from an all-white jury is a foregone conclusion. Juxtaposed against the story of the trial is the children’s hit and run relationship with Boo Radley, a shut-in who the children and Dill’s Aunt Rachel suspect of insanity and who no one has seen in recent history. Cigar-box treasures, found in the knot hole of a tree near the ramshackle Radley house, temper the children’s judgment of Boo. “You never know someone,” Atticus tells Scout, “until you step inside their skin and walk around a little.” But fear keeps them at a distance until one night, in streetlight and shadows, the children confront an evil born of ignorance and blind hatred and must somehow find their way home.
Edward James Olmos portrays the real-life Jaime Escalante, a no-nonsense mathematic teacher in a tough East LA high school. Handed a classroom full of “losers” and “unteachables,” Escalante is determined to turn his young charges’ lives around. Drawing from his own cultural heritage, Escalante forms a bond with his largely Hispanic student body, evoking the names of famous Spaniards and Latin Americans whose great accomplishments were predicated on their ability to learn. The students gradually come to realize that the only way they’ll escape their own poverty-stricken barrio is to improve themselves intellectually. As a result, the class’ academic achievements soar dramatically — too dramatically for the Educational Testing Service, which is convinced that the class’ high test scores are the results of cheating. The triumphant exoneration of Escalante’s students provides Stand and Deliver with its rousingly upbeat conclusion.
Actor Morgan Freeman began his ascent to stardom with this, his first lead role in a major motion picture. Freeman is real-life high school principal Joe Clark, a tough, harsh educator and administrator who in 1987 is given a nearly impossible task by his old friend, school superintendent Dr. Frank Napier. Clark is asked to reform inner city Eastside High School in Paterson, NJ, a hotbed of delinquent kids and drug dealers. Considered the worst school in New Jersey, the state is threatening to take control of Eastside away from the local school board. If Clark can straighten out Eastside in time to get the school’s basic-skills test scores up, he can have the job permanently. Although Clark’s tyrannical approach and hard-line policies alienate many members of the staff and the community, his uncompromising campaign gets results and even makes him famous, much to the chagrin of his powerful enemies.
Assigned the thankless task of teaching freshman English at a gang-infested Long Beach, CA high school, a 23-year-old teacher resorts to unconventional means of breaking through to her hardened students in an adaptation of Erin Gruwell’s best-seller The Freedom Writer’s Diaries: How a Teacher and 150 Teens Used Writing to Change Themselves and the World Around Them. Her students had been written off, and her chances of succeeding scoffed at, but Erin Gruwell (Hilary Swank) wasn’t about to go down without a fight. Long Beach is a place where a new war is waged with each passing day, and when the hardened students who walk those dangerous hallways sense an outsider attempting to understand their plight, their cynical resentment threatens to keep a deadly cycle in motion. Despite the initially hostile reaction she receives in the classroom, Gruwell uses the writings of Anne Frank and Zlata’s Diary: A Child’s Life in Sarajevo to teach her students not only the basis of the English language, but compassion and tolerance as well. Later, when the time comes to tell their own tales in a project specially designed to explore the daily violence that the majority of students have grown numb to, the barriers that had once stood so strong gradually begin to crumble. When the only chance for survival is to befriend the person who was once your mortal enemy, the world is opened to a whole new realm of possibilities.
Robin Williams toned down his usually manic comic approach in this successful period drama. In 1959, the Welton Academy is a staid but well-respected prep school where education is a pragmatic and rather dull affair. Several of the students, however, have their thoughts on the learning process (and life itself) changed when a new teacher comes to the school. John Keating (Williams) is an unconventional educator who tears chapters of his textbooks and asks his students to stand on their desks to see the world from a new angle. Keating introduces his students to poetry, and his free-thinking attitude and the liberating philosophies of the authors he introduces to his class have a profound effect on his students, especially Todd (Ethan Hawke), who would like to be a writer; Neil, who dreams of being an actor, despite the objections of his father; Knox, a hopeless romantic; Steven, an intellectual who learns to use his heart as well as his head; Charlie, who begins to lose his blasé attitude; unconventional Gerard; and practical Richard. Keating urges his students to seize the day and live their lives boldly; but when this philosophy leads to an unexpected tragedy, headmaster Mr. Nolan fires Keating, and his students leap to his defense. Dean Poets Society was nominated for four Academy Awards, including Best Picture and Best Actor for Williams; it won one, for Tom Schulman’s original screenplay.
The inspirational drama The Ron Clark Story tells the real-life tale of Clark played by Matthew Perry, a teacher from upstate New York who moves to Manhattan and re-instills courage and hope into the lives of many down-and-out students. Via highly innovative teaching strategies and rule sets, and an ongoing, strenuous effort, Clark manages to turn several lives around and raises students’ test scores to admirable levels. His star pupils include a young girl forced to both attend school and care for her siblings and a graffiti-prone young man who rechannels his energies into more traditional painting with Clark’s encouragement. In the end, even when pneumonia threatens to keep Clark down, he refuses to let it.
The fact-based story of an unconventional physician who attempted to heal patients with laughter, based on his own book and mixing equal doses of scatological humor and pathos. Robin Williams stars as Hunter Adams, a troubled young man who commits himself to a mental institution in the late 1960s. His experiences there convince Adams to become a doctor, and he enrolls in medical school, where he is appalled at the cold, clinical professionalism that alienates patients from their caregivers. Determined to provide emotional and spiritual relief as well as medicine, Adams clowns around for his patients, getting to know them personally. Although his efforts seem to work wonders and the hospital nursing staff is grateful for the levity Adams provides, his methods alienate his uptight roommate Mitch (Philip Seymour Hoffman) as well as the staff and faculty of his school. Adams perseveres, however, even starting his own low-cost rural clinic called the Gesundheit Institute, and wooing a pretty fellow student, Carin. Tragedy strikes, and Adams’ career is put in jeopardy, forcing him to defend his style and philosophy before a board of jurists determined to bar him from practicing medicine. Patch Adams (1998) was produced by former M*A*S*H (1972-83) star, who met the real-life Adams when the offbeat doctor served as an advisor to the actor’s popular TV series.
“Houston, we have a problem.” Those words were immortalized during the tense days of the Apollo 13 lunar mission crisis, and the suspense, fear, and excitement of those days are captured in Ron Howard’s epic recreation of the 1970 crisis. When the commander of the original mission Ken Mattingly (Gary Sinise), bows out due to possible exposure to measles, astronaut Jim Lovell (Tom Hanks) leads command module pilot Jack Swigert (Kevin Bacon) and lunar module driver Fred Haise (Bill Paxton) on what is slated as NASA’s third lunar landing mission. All goes smoothly until the craft is halfway through its mission, when an exploding oxygen tank threatens the crew’s oxygen and power supplies. As the courageous astronauts face the dilemma of either suffocating or freezing to death, Mattingly and Mission Control leader Gene Kranz (Ed Harris) struggle to find a way to bring the crew back home, all the while knowing that the spacemen face probable death once the battered ship reenters the Earth’s atmosphere. Even though the outcome, in which all three astronauts miraculously survived, is historical fact, the film derives suspense from the situation itself and from the actions of the heroic astronauts and the men on the ground. Howard’s taut direction, a solid ensemble of players, and eye-opening special effects all add to the overall impact of the film, which has been hailed as one of Hollywood’s best historical dramas. In 2002, the movie was released in IMAX theaters as Apollo 13: THe IMAX Experience, with a pared-down running time of 116 minutes in order to meet the technical requirements of the large-screen format.
A teacher belatedly discovers just how important his job really is in this emotional drama. Glenn Holland (Richard Dreyfuss) is a man with a deep love of music and a desire to write at least one piece of lasting significance. However, playing piano in cocktail lounges while he works on his own compositions doesn’t pay the bills, so in 1965 he reluctantly accepts a job as a high school music teacher. Over the next 30 years, Holland is able to teach a great deal about both music and life to thousands of kids who pass through the various classes he leads and school bands he directs; however, he finds it easier to reach his students than his son Cole, who is deaf, which drives a wedge between Glenn and his wife Iris earned an Academy Award nomination as Best Actor for Mr. Holland’s Opus
In this astounding yet true rags-to-riches saga, twenty-year-old Milwaukee native Chris Gardner arrives in San Francisco to pursue a promising career in medicine. Considered a prodigy in scientific research, he surprises everyone and himself by setting his sights on the competitive world of high finance.
Yet no sooner has he landed an entry-level position at a prestigious firm, than Gardner is entangled in incredibly challenging circumstances leaving him and his toddler son homeless on the mean streets of San Francisco, never guessing that he would one day become a crown prince of Wall Street.
Mythic, triumphant, and unstintingly honest, The Pursuit of Happyness appeals to the very essence of the American Dream.
.
Amazing Grace is based on the life of antislavery pioneer William Wilberforce, who as a Member of Parliament, navigated the world of 18th Century backroom politics to end the slave trade in the British Empire. Albert Finney plays John Newton, a confidante of Wilberforce who inspires him to pursue a life of service to humanity. Benedict Cumberbatch is William Pitt the Younger, England’s youngest ever Prime Minister at the age of 24, who encourages his friend Wilberforce to take up the fight to outlaw slavery and supports him in his struggles in Parliament.
Elected to the House of Commons at the age of 21, and on his way to a successful political career, Wilberforce, over the course of two decades, took on the English establishment and persuaded those in power to end the inhumane trade of slavery.
An Inconvenient Truth
Humanity is sitting on a ticking time bomb. If the vast majority of the world’s scientists are right, we have just ten years to avert a major catastrophe that could send our entire planet into a tail-spin of epic destruction involving extreme weather, floods, droughts, epidemics and killer heat waves beyond anything we have ever experienced.
If that sounds like a recipe for serious gloom and doom — think again. From director Davis Guggenheim comes the Sundance Film Festival hit, AN INCONVENIENT TRUTH, which offers a passionate and inspirational look at one man’s fervent crusade to halt global warming’s deadly progress in its tracks by exposing the myths and misconceptions that surround it. That man is former Vice President Al Gore, who, in the wake of defeat in the 2000 election, re-set the course of his life to focus on a last-ditch, all-out effort to help save the planet from irrevocable change. In this eye-opening and poignant portrait of Gore and his “traveling global warming show,” Gore also proves himself to be one of the most misunderstood characters in modern American public life. Here he is seen as never before in the media – funny, engaging, open and downright on fire about getting the surprisingly stirring truth about what he calls our “planetary emergency” out to ordinary citizens before it’s too late.
With 2005, the worst storm season ever experienced in America just behind us, it seems we may be reaching a tipping point – and Gore pulls no punches in explaining the dire situation. Interspersed with the bracing facts and future predictions is the story of Gore’s personal journey: from an idealistic college student who first saw a massive environmental crisis looming; to a young Senator facing a harrowing family tragedy that altered his perspective, to the man who almost became President but instead returned to the most important cause of his life – convinced that there is still time to make a difference.
With wit, smarts and hope, AN INCONVENIENT TRUTH ultimately brings home Gore’s persuasive argument that we can no longer afford to view global warming as a political issue – rather, it is the biggest moral challenges facing our global civilization.




